“Beauty is my Business!” Hattie Carnegie-1942
Hattie Carnegie (1889 -1956) was born in Vienna, Austria. Her name was Henrietta Kanengeiser. In 1900, she immigrated to the United States, and settled with her family in New York City. By the time she was 20 she had adopted “Carnegie” as her last name after Andrew Carnegie who was, at the time, the richest person in America. As a teenager Henrietta worked at Macy’s as a salesgirl, she became a student of women’s clothing and her job in the hat department earned her the nickname “Hattie.”
In 1909 Hattie opened her first shop with her friend, seamstress Rose Roth; Carnegie-Ladies Hatter. Initially Roth developed the dressmaking side of the business while Hattie focus on the hat design. In 1919 Carnegie bought Roth’s share of the business, taking over the clothing design. This was the beginning of Hattie Carnegie Inc. which would lead to a chain of exclusive boutiques across the United States and eventually an $8 million fashion empire.
Carnegie’s designs,whether it was hats, clothing, or jewelry, were coveted by Hollywood stars and celebrities including; Tallulah Bankhead, Joan Fontaine, Lucille Ball, and Joan Crawford. Carnegie had an inherent instinct for American women would desire. She flew to Paris on a regular basis to research the latest French fashion; returning home to adapt the look to meet American sensibilities.
Despite the depression of the 1930’s Carnegie’s business thrived as she continued to add more departments to her store; it was said that a lady could be dressed from “Hat to hem” at Hattie Carnegie. By the 1940s Carnegie’s store was actually a department store; it included a handbag department, where a customer could order a specific bag to match an outfit, the fur salon, a millinery department with a ready-to-wear hat section, a costume jewelry department, an antique furniture and glass department, a cosmetics department and ready-to-wear designs from other design houses.
By 1940, Carnegie’s operation was so large that it employed over 1000 workers. Most of them worked in the manufacturing of her ready-to-wear lines, but her custom shop continued to be the foundation of her business and reputation. Carnegie became known as a woman of taste, and she was so renowned that she was often featured in her own ads.
During the 1950s, Carnegie continued to make the types of clothes that women across the country had come to expect from her chic but conventional dresses and suits. She especially liked the little black dress, and was known for using a particular shade of blue; “Carnegie Blue.” She continued to make hats, accessories and jewelry. Carnegie also produced ballgowns at this time, often adapted from the French couturiers.
Hattie Carnegie died in 1956. Although the business remained open after her death much of the desirability of the label lay in the woman herself and eventually the label lost its appeal. The Custom Salon was closed in 1965 with the company continuing to produce jewelry, hats and accessories until 1976 when the business closed for good. Hattie Carnegie’s jewelry is highly prized and collectible today.
Hitchcock’s films during the 1940s were diverse, ranging from the romantic comedy Mr. & Mrs. Smith (1941) to the courtroom drama The Paradine Case(1947) to the dark and disturbing film noir Shadow of a Doubt (1943). Suspicion (1941) marked Hitchcock’s first film as both a producer as well as director. Although the film was set in England Hitchcock used the north coast of Santa Cruz, California, for the English coastline. This film was Cary Grant’s first picture with Hitchcock, and it is notable as one of the few times that Grant would be cast in a sinister role.
The 1950’s was an amazingly productive decade for Hitchcock. He made several films that would become minor classics including; Dial “M” for Murder (1954), Strangers on a Train (1954), and To Catch a Thief (1955). He also made four movies that are considered to be some of his best work: Rear Window (1954), Vertigo (1958), and North by Northwest (1959).
In 1960 Hitchcock created his best known film, Psycho. Psycho was a low budget film for Hitchcock with a budget of $800,000; it was shot in black-and-white on a sparse set. The unprecedented violence of the shower scene, the early death of the heroine, and the innocent lives snuffed out by a disturbed murderer became the defining hallmarks of Hitchcock’s new horror genre. Psycho was followed by The Birds (1963) and the romantic psychological drama Marnie (1964).
By the 1970’s Hitchcock’s career was winding down. Frenzy was released in 1972, a tale centered around a string of “Necktie Murders”. His final film was released in 1976 with Family Plot.
Vidal Sassoon was a revolutionary; he completely changed the relationship women have with their hair. Before Vidal Sassoon came on to the scene in the late 1950’s weekly hair appointments were mandatory in order to have your hair “set”. Nights were spent sleeping in uncomfortable curlers.
Mr. Sassoon’s revolution was to emphasis the cut. He brought a modern eye to hair dressing that saw the hair cut as architecture. He designed and cut his clients’ hair into geometric shapes with sharp angles in order to complement the bone structure of their faces. These modern, short and striking styles embodied a new type of sexy. These styles were easy to care for and maintain establishing the wash-and-wear look. This new style would go on to drive the revolution of youthful fashion that took over London, America and the rest of the world in the 1960’s.
The original version of the quintessential Sassoon style was known as the five-point cut; a snug, sleek helmet with a W cut at the nape of the neck and a pointed spike in front of each ear. He went on to develop a range of geometrical bobs including The Box Bob, The Inverted Bob, the Long Bob and The Asymmetrical Bob. He also gave us the Pixie Cut which was showcased on Mia Farrow in the movie “Rosemary’s Baby”.
Mr. Sassoon became a pioneer in business as well by creating a line of hair products under his name. His shampoos, conditioners and other hair care products were famously sold trough a series of television commercials featuring women with lustrous hair and the handsome and suave Mr. Sassoon at their side declaring, “If you don’t look good, we don’t look good.” Sales reached more than $100 million annually before he sold the company in 1983.
Vidal Sassoon continues to have a profound influence on hairstyles and hair dressers and his work will live on forever. His legacy includes, in addition to the haircuts, a full line of Vidal Sassoon products, his autobiography and a book; “Cutting Hair the Vidal Sassoon Way“.